Fujifilm FinePix 2D 3D 10MP Digital Camera W3 074101004984 | eBay.
Category Archives: Cameras
GoPro Hero 4 said to support 4k/30fps, 1080p/120fps, HDR and maybe 3D
The GoPro HD Hero 4 will be powered by the Ambarella A9 camera SoC, which, besides being able to film in 4K resolution at 30fps, will be able to record in ultra high framerate modes for HD and fullHD, namely 1080p at 120fps, and 720p at 240fps.
Also included in the A9 specifications is 700Mpixels/s oversampling performance, multi-exposure HDR and WDR tone mapping, and electronic image stabilization EIS. There’s also WiFi capabilities with remote viewfinder and playback functions.
On the more speculative side, there are rumors floating around that the Hero 4 will sport two lenses side-by-side for filming in 3D, but that has not been confirmed
via GoPro Hero 4 specs get leaked, can shoot 4K video at 30fps – GSMArena Blog.
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Major camera makers have a tough time due to smartphones
Most of the big camera makers are scaling back production as camera sales drop dramatically. Nikon forecasts 2013 sales to be down 23% over 2012. The culprit is said to be the smartphone, whose cameras are getting better.
Smartphone Cameras at 41-Megapixels Pressure Canon, Nikon – Bloomberg.
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List of interaxial (lens spacing) for well known 3D cameras
This is from the Amazon wiki on “stereoscopy”:
- 10 mm Panasonic 3 D Lumix H-FT012 lens (for the GH2, GF2, GF3, GF5 cams and also for the hybrid W8 cam).
- 12 mm Praktica and Medion 3D (two clones of the DXG-5D8 cam).
- 20 mm Sony Bloggie 3D.
- 23 mm Loreo 3D Macro lens.
- 25 mm LG Optimus 3D and LG Optimus 3D MAX smartphones and the close-up macro adapter for the W1 and W3 Fujifilm cams.
- 28 mm Sharp Aquos SH80F smartphone and the Toshiba Camileo z100 camcorder.
- 30 mm Panasonic 3D1 camera.
- 32 mm HTC EVO 3D smartphone.
- 35 mm JVC TD1, DXG-5G2V and Vivitar 790 HD (only for anagliph stills and video) camcorders.
- 40 mm Aiptek I2, Aiptek IS2, Aiptek IH3 and Viewsonic 3D cams.
- 50 mm Loreo for full frame cams, and the 3D FUN cam of 3dInlife.
- 55 mm SVP dc-3D-80 cam (parallel & anagliph, stills & video).
- 60 mm Vivitar 3D cam (only for anagliph pictures.
- 75 mm Fujifilm W3 cam.
- 77 mm Fujifilm W1 cam.
- 88 mm Loreo 3D lens for digital cams.
- 140mm Cyclopital3D base extender for the JVC TD1 and Sony TD10.
- 200mm Cyclopital3D base extender for the Panasonic AG-3DA1.
- 225mm Cyclopital3D base extender for the Fujifilm W1 and W3 cams.
via Stereoscopy – Shopping-enabled Wikipedia Page on Amazon.
For those new to 3D, the interaxial distance is the spacing between the center of the left camera lens and the right camera lens. The interaxial is a critical component to creating good 3D depth effects. Too large, and the viewers eyes will hurt. Too small, the depth effect will be minimal. The key is to select the right lens spacing for the “depth box” in front of the camera. Objects within the depth box will have appropriate parallax and good depth effects.
Most consumer and semi-pro 3D cameras have relatively narrow lens spacing – they are perhaps best for shooting 3D photos or video of kids in the backyard or at the park. Beyond a few tens of feet (or meters) the depth effect vanishes and those parts of the image appear flat.
How camera companies muck up their marketing efforts
They all build great cameras but only a couple excel at marketing – Readers story: “Marketing advice to Olympus, from a hobby photographer” by Mark Ryan Sallee | 43 Rumors.
The writer of the linked story remarks that “micro 4/3ds” as a brand is unfortunate. “Micro” implies small while 4/3ds is a fraction and most people have minds that go numb at the first mention of numbers – especially fractions!
Canon and Nikon do a good job selling the sizzle, rather than the steak. Canon largely markets a life style – people using Canon gear live exciting lives of travel and fashion.
The writer goes on to the multiple and confusing brands often used by a single camera maker. I find the market segmentation has gone to extremes – from all camera companies. Check out their lower end product lines and they often have dozens of different cameras that cause consumer confusion.
I have been looking at 3D video cameras and find oddities there too. Such as 3D video cameras that shoot only 1080i interlaced images and not progressive images, yet my inexpensive camcorder shoots 1080p! And then the use of storage formats like MVC that were not originally supported (and often still not) in common video editing software. What were they thinking?